#Vip marathi lavani how to

#Vip marathi lavani how to

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Marathi films played an important role in making the Lavani genre accessible to masses. Many Lavani dancers are from some castes of Maharashtra like Mahar Kolhati, and Matang. Lavani can also be termed as a romantic song sung by lady who is waiting for her lover to accept her, who longs for his love. Vithabai Bhau Mang Narayangaonkar, Kantabai Satarkar, Surekha Punekar, Mangala Bansode, Sandhya Mane, Roshan Satarkar are well known artiste presenting Lavani on stage. Shringar Lavani is mostly sung and danced on the stage by a female and written by male. Satyabhamabai Pandharpurkar and Yamunabai Waikar are the popular present day exponents of Lavani. He also developed the baithakichi Lavani, a subgenre, which is presented by the singer in the seated position. Honaji Bala introduced tabla in place of the traditional dholki. Lokshahir Bashir Momin Kavathekar is the popular present day Shaheer/ Poet of Lavani whose compositions are presented on stage by Surekha Punekar, Sandhya Mane, Roshan Satarkar and many Tamasha Troupes since the early 1980s. Several celebrated Marathi Shahir poet-singers, which include Parasharam (1754-1844), Ram Joshi (1762вЂ“1812), Anant Fandi (1744-1819), Honaji Bala (1754-1844), Prabhakar (1769-1843), Saganbhau and Lok Shahir Annabhau Sathe (1 August 1920 вЂ“ 18 July 1969) has contributed significantly for the development of this genre of music. These men dance in support with the lead dancer.ДЄlthough the beginnings of Lavani can be traced back to the 1560s, it came into prominence during the later days of the Peshwa rule. They are the called nat (male dancer) usually the kinnars. There are also men that dance in lavni along with the ladies. The Lavani poet out-steps the limits of social decency and control when it comes to the depiction of sexual passion.' K. Married wife's menstruation, sexual union between husband and Wife, their love, soldier's amorous exploits, the wife's bidding farewell to the husband who is going to join the war, pangs of separation, adulterous love - the intensity of adulterous passion, childbirth: these are all the different themes of the Lavani. 'The main subject matter of the Lavani is the love between man and woman in various forms. The sari is wrapped and is more comfortable as compared to other sari types. They usually put a large bindi of dark red color on their forehead. They wear heavy jewellery that includes Thushi means necklace, Bormaal, Pohehaar, Zumka means earrings, Ghungru, kamarpatta (a belt at the waist), bangles, Sindoor etc. They form a bun (juda in Hindi or ambada in marathi) with their hair. The ladies that perform lavani wear a long sari length around 9 yards. The songs were written in sexually explicit double meaning. Notebly it is a kind of Mujra strictly performed for men and away from the village with no access for ladies or families to watch. And, when the Lavani is sung in a closed chamber for a private and select audience by a girl sitting before the audience, it came to be known as Baithakichi Lavani. The Lavani sung and enacted in a public performance before a large audience in a theatrical atmosphere is called Phadachi Lavani. Lavani developed into two distinct performances, namely Phadachi Lavani and Baithakichi Lavani.

The devotional music of the Nirguni cult is popular all over Malwa. The Nirguni Lavani (philosophical) and the Shringari Lavani (sensual) are the two types. It is believed their origin is in the Prakrit Gathas collected by Hala. Lavani Songs, which are sung along with dance, are usually naughty and erotic in nature. Originally, it was used as a form of entertainment and morale booster to the tired soldiers.

The songs in 'Lavani' are mostly erotic in sentiment and the dialogues tend to be pungent in socio-political satire. Traditionally, this genre of folk dance deals with different and varied subject matters such as society, religion and politics. Lavani dance was generally performed by Dhangars or Shepherd living in the Solapur, Maharashtra. Lavani dancers were patronised by Maratha Lords and Kings. Lavani dance originated from Maharashtra in 18th and 19th century.